It's just there because it's the signature for the key of F major. The key signature shown there doesn't affect the notes in the triad, as you've correctly worked out. ![]() (I am trying to search the related questions on generating F mjaor triad but it comes up with few threads with some terms I don't understand yet). This still does not show me why the RHS staff is connected to the F major triad.Īlso, is it any noticeable difference between the F major triads with and without the flat key signature? I tried to repeat the following pattern in a virtual keyboard and listen very carefully, I can't tell the difference honestly However, I find that if I lower the F by half step, I get the E, which may get E-A-C by adding one-flat signature on F. ![]() I am trying to reason it by listing the C major scale, C-D-E-F-G-A-B, from that, the first, major third and fifth notes is just C-E-G but this does not give me F-A-C. The book does not tell why there is a single-flat key signature added. It then gives me F major triad as shown in the right side of above stave. In the book, the author introduces anohter way to construct major triads by taking the first, major third and fifth notes from a major scale. Similarly, I am getting the F major triad by using a F note as the root, A as the third and C as the fifth, so F-A-C be the F major triad, correct? The C major triad is shown on the left of the following stave From that instruction, it is easily to setup a C major triad by making the root as C to get the third, I add 4 half steps to C so to get E to get the fifth, I add 7 half steps to C so to get G. It is said that the major triads is formed by a root, third and a fifth. ![]() I am reading a book for beginner about building the chords, basically on triads so far.
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